Theology of Silence

N. Reese
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Abstract

This article explores Endo Shusaku’s views of God and silence with the aim of sketching what I take to be Endo’s theology of silence. In service of this goal, I will delineate how Japanese culture and events in Endo’s life contributed to shaping his views of God and silence, which ultimately led to Endo’s theology of silence—one fitting his Japanese sensibilities. In Endo’s divine drama of silence, Christ, who is the eternal suffering companion, is the inhabiter of silence, while the Kakure Kirishitans—the oppressed and weary—are the pilgrims of silence. In the space of silence, ultimate beauty is revealed. God does not leave those who suffer alone; they are his to be comforted. Endo’s Christ is ineffectual to deliver from harm, yet he is effectual to comfort those who seemingly cannot be comforted and to love those who are seemingly unlovable.
沉默的神学
这篇文章探讨了远藤修作对上帝和沉默的看法,目的是勾勒出我认为是远藤修作的沉默神学。为了实现这一目标,我将描述日本文化和远藤生活中的事件如何影响了他对上帝和沉默的看法,这最终导致了远藤的沉默神学——一种符合他的日本情感的神学。在远藤关于沉默的神圣戏剧中,永恒的苦难伴侣基督是沉默的居住者,而受压迫和疲惫的Kakure kirishitan则是沉默的朝圣者。在寂静的空间里,终极的美显露出来。神不会撇下受苦的人;他们是他的安慰。远藤的基督无法将人从伤害中拯救出来,但他却能安慰那些看起来无法得到安慰的人,爱那些看起来不可爱的人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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