Peter Behrens y el rostro de la industria moderna

A. Gómez
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Abstract

espanolEl trabajo de Behrens para AEG no solo dio lugar a la considerada primera identidad corporativa de una empresa, sino que le convirtio en pieza fundamental del eje modernizador de la industria a principios del siglo XX. Este articulo aborda mediante algunos ejemplos el analisis de las relaciones entre lo moderno y lo clasico en las propuestas de Behrens, construyendo un hilo que explora la superacion de las problematicas de su tiempo, en ocasiones, mediante la adecuacion y reinterpretacion de elementos y conceptos propios de otras epocas. EnglishBehrens' work for AEG not only gave rise to the so-called first corporate identity of a company, but also made it a fundamental part of the modernising axis of industry at the beginning of the 20th century. This article uses a few examples to approach the analysis of the connections between the modern and the classical in Behrens' proposals, building a thread that explores overcoming the problems of his time, sometimes through the adaptation and reinterpretation of elements and concepts from other eras.
彼得·贝伦斯和现代工业的面孔
Behrens为AEG所做的工作不仅导致了一个公司的第一个企业形象,而且在20世纪初成为该行业现代化轴心的基本组成部分。这篇文章通过一些实例阐述分析现代和经典之间关系·布莱恩学术建议,建立一个线程扫描superacion problematicas的时间,有时通过adecuacion reinterpretacion其他epocas概念和要素。英国behrens为AEG所做的工作不仅使AEG成为所谓的第一个企业形象,而且使其成为20世纪初工业中心现代化的重要组成部分。这条用politico范例to approach the analysis of the connections between the modern and the classical in·布莱恩学术”提案,building a thread that explores克服the problems of his time, through the适应reinterpretation of elements and概念from other你看穿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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