Snage i slabosti vizualnih elemenata u lutkarskim predstavama Zlatka Boureka

Abstract

remains on the level of initial information, whereas in some performances using puppets on a cart (the kuruma ningyo technique) and with masks, the visual aspects do not remain static, but rather become developed and independent in the dramaturgical sense, taking predominance over the words and the text. This paper presents the possibilities of the puppets on a cart and with masks realised in Hamlet , play performed by the Teatar ITD , and Saint George by the City Puppet Theatre Split, in comparison with the non-realised potentials in other plays.