SKIB-71 in Textual and Visual Memories

A. Subedi
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引用次数: 1

Abstract

SKIB-71, the acronym of Sashi, Krishna, Indra and Batsa represents a very significant phase in the movement of modern Nepali paintings. These four artists launched a movement in paintings a quarter of a century ago with a view to inspiring young artists and opening new vista of communications with artists using other media and methods. Their personal involvements in art activities couples with their experimentations created a unique atmosphere in Nepali paintings characterised by such features as the gatherings of artists, interactions, exhibitions and, above all the pedagogy of arts. After the sad demise of Indra Pradhan in 1994, three of them continued to work for which they chose to engage in art pedagogy or to work quietly on cultural motifs. Among the many reasons to consider them as part of art activities today is their impact on art education, accentuation of the subject of experimentation and participation in the art activities of present times.
文本和视觉记忆中的SKIB-71
SKIB-71是Sashi, Krishna, Indra和Batsa的首字母缩略词,代表了现代尼泊尔绘画运动的一个非常重要的阶段。这四位艺术家在四分之一世纪前发起了一场绘画运动,旨在激励年轻艺术家,并通过其他媒体和方法与艺术家开辟新的交流前景。他们个人对艺术活动的参与,加上他们的实验,在尼泊尔绘画中创造了一种独特的氛围,其特点是艺术家的聚会、互动、展览,最重要的是艺术教学。1994年因德拉·普拉丹(Indra Pradhan)不幸去世后,他们中的三个人继续工作,他们选择从事艺术教育学或悄悄地研究文化主题。将它们视为今天艺术活动的一部分的众多原因之一是它们对艺术教育的影响,对实验主题的强调以及对当代艺术活动的参与。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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