Entertainment industry sector under the spotlight: How PR professionals and event organizers communicate during pandemic crisis

Andrei Galan
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Abstract

The COVID-19 pandemic has wounded sociality and limited the possibility to stay together: the essence of many forms of art. All the sectors whose activities are based on cultural values, or artistic, creative expressions, market or non-market oriented. It includes architecture, archives, libraries and museums, artistic crafts, audio-visual tangible and intangible cultural heritage, design, festivals, music, literature, performing arts, publishing, radio and visual arts. This paper aims to shed a light not only on the scarce literature on the field, but also on the particularities of how professionals communicate during pandemic crisis in the entertainment industry, especially at the moment when the whole world is being confronted by multiple crisis that have converged. In doing so, we explore how public relations practitioners and event organizers in Romania acknowledge the importance of being aware of the crisis, how they refer to crisis, the tools they use and the way they approach stakeholders. With the help of semi-structured interviews with public relations practitioners and event organizers in Romania, we aim to structure a frame of looking at the crisis communication in the entertainment industry during this pandemic crisis, with a particular focus on celebrities.
聚光灯下的娱乐行业:公关专业人员和活动组织者如何在大流行危机期间进行沟通
2019冠状病毒病大流行伤害了社交,限制了人们在一起的可能性——这是许多艺术形式的本质。所有活动以文化价值或艺术、创意表达为基础,以市场或非市场为导向的部门。它包括建筑、档案馆、图书馆和博物馆、艺术工艺、视听有形和非物质文化遗产、设计、节日、音乐、文学、表演艺术、出版、广播和视觉艺术。本文不仅旨在揭示该领域的稀缺文献,而且还旨在揭示娱乐行业在流行病危机期间专业人员如何沟通的特殊性,特别是在整个世界面临多重危机的时刻。在此过程中,我们探讨了罗马尼亚的公共关系从业者和活动组织者如何承认意识到危机的重要性,他们如何提及危机,他们使用的工具以及他们接近利益相关者的方式。通过对罗马尼亚公共关系从业人员和活动组织者的半结构化采访,我们的目标是构建一个框架,研究在这场大流行危机期间娱乐行业的危机沟通,特别关注名人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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