‘I ask his pardon for a postscript’: Byron’s Epistolary Afterthoughts

J. Shears
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Abstract

Signing off his letters always involved a type of lingering for Byron and an opportunity of reflecting on the just-completed letter. The voice comes from the same man, and yet simultaneously from somewhere else.In the light of these speculations, this essay intends to examine a range of Byron’s postscripts from correspondence written throughout his life in order to explore the various ways in which they ironically subvert, superintend, supplement, gloss or reinscribe the construction of his character in the main body of his letters. Examples of marginalised inscription are treated as a type of paratext that – unlike the marginalia in the poems – has never been considered at any length and, rather like Derrida’s supplement, bespeaks a dual addition to and subtraction from the composing self.
“我请他原谅我的后记”:拜伦的书信后记
对拜伦来说,落款总是一种挥之不去的感觉,也是对刚刚写完的信进行反思的机会。声音来自同一个人,但同时又来自其他地方。根据这些推测,本文打算研究拜伦一生中所写信件的一系列附言,以探索这些附言以各种方式讽刺地颠覆、监督、补充、修饰或重新诠释他在信件主体中的性格结构。边缘化题词的例子被视为一种para - text,与诗歌中的旁注不同-从未被考虑过任何长度,而更像德里达的补充,表明了对创作自我的双重加法和减法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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