EL CINE BOLIVIANO SOBREVIVIENDO AL COVID-19: LA PERCEPCIÓN DE LOS REALIZADORES SOBRE LOS EFECTOS DE LA PANDEMIA

Andrés Laguna-Tapia
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引用次数: 1

Abstract

This article seeks to describe the effect that the pandemic had on the Bolivian audiovisual sector, in the first half of 2020, a period aggravated by multiple factors, including the political and institutional crisis unleashed in OctoberNovember 2019, a low digital culture, a significant digital divide and a complex socio-economic reality. This is a work of an exploratory and qualitative nature, which mainly collected the information through primary sources. That is, through the testimonies of filmmakers and producers from different parts of Bolivia. The fundamental tool for data collection was the semi-structured interview, probably the most widely used methodology in qualitative research. It is concluded that, from the perspective of the filmmakers, the effects of the pandemic on Bolivian audiovisuals were aggravated by the political crisis and by poor management of the transitional government. On the other hand, the transformation processes of the modes of production, distribution and marketing, accelerated by the pandemic, must be assumed, rethought and assimilated from the Bolivian context, as for example, the use of VOD platforms. Finally, a trend was found in national filmmakers, they believe that Bolivian cinema must be committed to social reality and should dialogue with the other.
玻利维亚电影在COVID-19中幸存下来:电影制作人对大流行影响的看法
本文试图描述疫情在2020年上半年对玻利维亚视听部门的影响,这一时期因多种因素而加剧,包括2019年10月至11月爆发的政治和体制危机、数字文化低迷、严重的数字鸿沟和复杂的社会经济现实。这是一项探索性质的工作,主要是通过第一手资料收集信息。也就是说,通过来自玻利维亚不同地区的电影制作人和制片人的证词。数据收集的基本工具是半结构化访谈,这可能是定性研究中使用最广泛的方法。结论是,从电影人的角度来看,政治危机和过渡政府管理不善加剧了疫情对玻利维亚视听业的影响。另一方面,生产、分销和营销模式的转变过程因大流行病而加速,必须根据玻利维亚的情况加以设想、重新考虑和吸收,例如,视频点播平台的使用。最后,在国家电影人中发现了一种趋势,他们认为玻利维亚电影必须致力于社会现实,应该与他人对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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