Who Is Like God?

L. Goodman
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Abstract

Chapter 3 voices disappointment in learned efforts to “remythologize” the idea of God. Seeking to take scriptural imagery seriously, such efforts mistake the images for the God they intend. The mixed metaphors characteristic of biblical poetry reveal the elusiveness of the Transcendent and confess more eloquently than dry talk about ineffability how hard it is for words to capture any aspect of divinity. Yet, halting as their tropes may be, biblical poetics mark out a pathway. We must not assume the Torah’s authors, or their audience, spoke more slowly than we do—lest we cultivate a spiritual diglossia in our own minds and fail to integrate what we believe with what we know. Efforts to bring God closer to hand by allowing that He forgets, regrets, or learns by trial and error may hope to elevate our understanding but risk transforming the Mosaic God into a Deweyan “fellow learner.”
谁像上帝?
第三章表达了对“重新神话化”上帝观念的学术努力的失望。这种试图严肃对待圣经形象的努力,把这些形象误认为是他们想要的上帝。圣经诗歌的混合隐喻特征揭示了超性的难以捉摸,比干巴巴地谈论不可言说更雄辩地承认,用文字来捕捉神性的任何方面是多么困难。然而,尽管他们的比喻可能是停顿的,圣经诗学指出了一条道路。我们不能假设《托拉》的作者或他们的读者说得比我们慢,以免我们在自己的头脑中培养一种精神上的知识,而不能将我们所相信的与我们所知道的结合起来。通过让神忘记、后悔或通过试错来学习,努力让神更接近我们,可能希望提升我们的理解,但却有可能把马赛克神变成杜威式的“同伴学习者”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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