Reflections in water: Displaying political agency through costume, performance and video

Melanie Sarantou, Satu Miettinen
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引用次数: 1

Abstract

This research revisits individual and collaborative artistic processes to articulate the combination of creative skills to produce and document research outcomes. Various creative processes, such as costume-making, performance-making, artistic video, photo documentation and editing, came about under particular circumstances and with different objectives. These processes, all with their unique and embedded stories, were brought together in a collaborative research outcome to create an original visual story with layered meanings ‐ the video titled ‘Merelle (To the see)’ (Miettinen 2021). This video illustrates the connections between the different creative processes, and the memories, bodies, places and environments attached to them. However, some of the places and environments in which the costumes, performance and video came about were also implicit, only to be revealed in the research dissemination. The selected methodology entailed narrative accounts, reflexive research and collaborative visual analysis. The data were collected through storytelling and note taking of the events that enabled was re-narration of the three artistic processes described in this article. The reflexive research methodology and analysis drew on visual data from photography and the video to explore the outcomes of the collaborative work.
水中倒影:通过服装、表演和影像展示政治能动性
这项研究重新审视了个人和协作的艺术过程,以阐明创造性技能的组合,以产生和记录研究成果。各种创作过程,如服装制作、表演制作、艺术录像、照片记录和编辑,都是在特定的情况下和不同的目标下产生的。这些过程,都有其独特和嵌入的故事,被汇集在一个合作研究成果中,创造了一个具有分层含义的原创视觉故事-名为“Merelle (to the see)”的视频(Miettinen 2021)。这段视频展示了不同创作过程之间的联系,以及与之相关的记忆、身体、地点和环境。然而,服装、表演和录像产生的一些场所和环境也是隐含的,只有在研究传播中才会显露出来。所选择的方法包括叙述、反思性研究和协作性视觉分析。数据是通过讲故事和记录事件收集的,这些事件使我们能够重新叙述本文中描述的三个艺术过程。反思性的研究方法和分析利用来自摄影和视频的视觉数据来探索合作工作的结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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