Facts and Values

Abstract

This chapter introduces the first of the four main subjects of the book, Philippa Foot, as well as sketching the philosophical outlook against which all four would argue in later years. A young Foot, recently returned to Oxford, confronts for the first time the horrors of the Nazi regime, through a newsreel exposing conditions in the concentration camps. For Foot, this moment encapsulated a major failing of philosophical ethics in the mid-twentieth century: its inability to grapple with real evil. The contemporary philosophy against which Foot and her friends would revolt depended on a background picture, the “billiard-ball” picture of the universe as nothing but inert, value-free matter. A fact–value dichotomy was grounded in this picture, positing that no ethical propositions can validly derive from fact statements; these together led to what Lipscomb calls the “Dawkins sublime”—the Romantic view that adults must bravely face this harsh and denuded world.