From Mythical to Mathematical Orientation: The "Cosmologicon" of the Hamburg Planetarium as a Branch of the Kulturwissenschaftliche Bibliothek Warburg

Uwe Fleckner
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Abstract

Aby Warburg’s “Collection of images on the history of astronomy and astrology”, opened 1930 in the Hamburg planetarium as a permanent exhibition, was the only completed project of his famous “image series” (the Atlas Mnemosyne included). Considered as a didactic tool for the citizens of Hamburg to understand the cultural history of astrology and astronomy, it assembled a wide range of reproductions of stars, constellations and superstitious as well as scientific images depicted in the arts from “primitive” peoples to the era of Dürer, Luther and Kepler. Warburg’s ambition was to create a reflexive distance (Denkraum) between men and the threatening phenomena experienced while looking into the sky: “The history of astronomy shows the manifold forms of human views of the world. Setting out from fear of demons and magic, humanity always has to travel afresh the path to the abstract logic of scientific observation”.
从神话到数学取向:汉堡天文馆作为文化智慧图书馆分支的“宇宙学”
Aby Warburg的“天文学和占星术历史图像集”于1930年在汉堡天文馆作为永久性展览开幕,是他著名的“图像系列”(包括Atlas Mnemosyne)中唯一完成的项目。它被认为是汉堡市民了解占星术和天文学文化历史的教学工具,它汇集了从“原始”民族到d、路德和开普勒时代的各种星星、星座和迷信以及艺术中描绘的科学图像的复制品。Warburg的野心是在人类和观察天空时所经历的威胁现象之间创造一种反身距离(Denkraum):“天文学的历史显示了人类对世界的多种看法。从对恶魔和魔法的恐惧出发,人类总是要重新踏上科学观察的抽象逻辑之路”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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