{"title":"SONGS ABOUT A DISGUISED GIRL IN BOSNIAK ORAL TRADITION","authors":"Ibnel Ramić","doi":"10.51728/issn.2637-1480.2019.17.433","DOIUrl":null,"url":null,"abstract":"We encounter songs about a disguised girl in our oral tradition throughout the history of its recording – from Erlangen Manuscript, over Vuk Stefanovic Karadzic's collection, to the collections made in the second half of the twentieth century.\nIn those songs a girl disguises as a man in most cases to replace her aged father in a battle. She fights and lives a life of a warrior side by side with men, but manages to keep her female identity hidden from male comrades, going wisely and skillfully through all ordeals by which they try to uncover her. In the end she reveals her identity in order to mock them and escape as a winner.\nThe paper presents such songs included in the collection by Alija Nametak Od bešike do motike. Narodne lirske i pripovijedne pjesme bosansko-hercegovačkih Muslimana published in 1970. In addition to comparing them with songs from other collections we will discuss a literary-theoretical determination of these songs. We will also point to the picture of male-female relationships in them, which differs from the well-known stereotypes present in our oral literature and our folk tradition in general.","PeriodicalId":251072,"journal":{"name":"Zbornik radova 17","volume":"67 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zbornik radova 17","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51728/issn.2637-1480.2019.17.433","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
We encounter songs about a disguised girl in our oral tradition throughout the history of its recording – from Erlangen Manuscript, over Vuk Stefanovic Karadzic's collection, to the collections made in the second half of the twentieth century.
In those songs a girl disguises as a man in most cases to replace her aged father in a battle. She fights and lives a life of a warrior side by side with men, but manages to keep her female identity hidden from male comrades, going wisely and skillfully through all ordeals by which they try to uncover her. In the end she reveals her identity in order to mock them and escape as a winner.
The paper presents such songs included in the collection by Alija Nametak Od bešike do motike. Narodne lirske i pripovijedne pjesme bosansko-hercegovačkih Muslimana published in 1970. In addition to comparing them with songs from other collections we will discuss a literary-theoretical determination of these songs. We will also point to the picture of male-female relationships in them, which differs from the well-known stereotypes present in our oral literature and our folk tradition in general.
从埃尔兰根手稿,到Vuk Stefanovic Karadzic的收藏,再到20世纪下半叶的收藏,在我们的口述传统中,我们遇到了关于一个乔装打扮的女孩的歌曲。在这些歌曲中,女孩化装成男人,大多数情况下是为了代替她年迈的父亲参加战斗。她和男人并肩战斗,过着战士的生活,但她设法让自己的女性身份不被男同志发现,聪明而巧妙地度过了他们试图揭露她的所有考验。最后,她暴露了自己的身份,以嘲弄他们,并以胜利者的身份逃脱。本文介绍了Alija Nametak Od bešike do motike收录的这些歌曲。1970年出版的Narodne lirske i pripovijedne pjesme bosansko- hercegovakih Muslimana。除了将它们与其他合集中的歌曲进行比较外,我们还将讨论这些歌曲的文学理论确定。我们还将指出其中男女关系的图景,这与我们口头文学和民间传统中普遍存在的众所周知的刻板印象不同。