Performance Research Seen through the Lens of Cultural Ecology: A Case Study of an Innovative Production at Chiang Mai’s Lanna Wisdom School

Pornrat Damrhung
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Abstract

This paper examines a performance project called Kita Natakan Lanna (Lanna Music and Dance) done by the artist, Saran Suwanachote, or Khru Nick, a dancer in the Northern martial dance form of “Choeng,” at the local arts and culture center known as the Lanna Wisdom School in Chiang Mai. By working with Khru Nick and observing how he produced a new work for this project, I learned that he used an approach based on a local form of cultural life made of interconnected parts, and used the concept of Rabob Niwet or “ecology.” This system is used to transmit distinct forms of local “wisdom,” including artistic knowledge, in Northern Thailand. This ecosystem approach is being used to develop innovative and sustainable ways to include performance practices and knowledge in projects linking Bangkok’s universities to local urban communities with support from Chulalongkorn University’s new Research Cluster in the Arts and Culture.
文化生态学视角下的表演研究:以清迈兰纳智慧学校的一部创新作品为例
本文考察了一个名为Kita Natakan Lanna (Lanna音乐和舞蹈)的表演项目,由艺术家Saran Suwanachote或Khru Nick完成,他是一名北方武术舞蹈形式“Choeng”的舞者,在当地的艺术和文化中心被称为清迈的Lanna智慧学校。通过与Khru Nick合作并观察他是如何为这个项目制作新作品的,我了解到他使用了一种基于由相互关联的部分组成的当地文化生活形式的方法,并使用了Rabob Niwet或“生态”的概念。该系统用于传播泰国北部独特形式的当地“智慧”,包括艺术知识。在朱拉隆功大学新的艺术和文化研究集群的支持下,这种生态系统方法被用于开发创新和可持续的方式,将表演实践和知识纳入连接曼谷大学与当地城市社区的项目中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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