Essay valences in the creation of filmmaker Vlad Druc

Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2022-11-01 DOI:10.52603/pc22.17

Dumitru Olărescu

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Abstract

An analytical approach to several variants of the defi nition of the essay facilitated the identifi cation of its essential features. Essay writers interpret topics in an individual way, relying more on erudition, imagination, and associations. Th anks to the thematic freedom and the ways of expression, the essay evolves between the two forms of knowledge: scientifi c and artistic. All these particularities are also common to the cinematographic essay, asserting themselves with the appearance of the author’s fi lm. Th e constitution of the fi lm-essay also requires a special attitude towards the ways of cinematic expression, as well as its formal elements. In domestic cinema, essayistic tendencies can be identifi ed in the fi lms of several directors. However, the fi lmmaker Vlad Druc asserted himself completely in the fi eld of this type of non-fi ction fi lms,. Most of his fi lms contain some of the essential particularities of the essay, and a good part of them, integrating these qualities, can be called essay fi lms in the notional sense: Ion Creangă, Ploi de dor, Firul viu, Goblen, Meșterul anonim, Moara, Cheamă-i, Doamne, înapoi, Ștefan cel Mare, Obsesie, Vai, sărmana turturică, etc.

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电影制作人弗拉德·德鲁克创作中的散文价值

对文章定义的几种变体的分析方法有助于确定其基本特征。论文作者以个人的方式解读主题，更多地依靠博学、想象力和联想。由于主题的自由和表达方式的自由，散文在科学和艺术两种知识形式之间演变。所有这些特点在电影散文中也是常见的，随着作者电影的出现而彰显出来。电影散文的构成也要求对电影的表现方式及其形式要素有一种特殊的态度。在国内电影中，可以在几位导演的电影中发现散文式的倾向。然而，电影制作人弗拉德·德鲁克在这种类型的非小说电影领域完全宣称了自己。他的大部分电影都包含了一些散文的本质特征，其中很大一部分，整合了这些特征，可以被称为概念意义上的散文电影:Ion creangei, Ploi de dor, Firul viu, Goblen, Meșterul anonim, Moara, cheam -i, Doamne，纳波伊，Ștefan cel Mare, Obsesie, Vai, sourmanturturicei等。

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Patrimoniul cultural: cercetare, valorificare, promovare

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