Impersonality and Death of the Author

Zhu Dong-mei
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Abstract

This paper describes the theme of creative subjectivity in the western literary criticism. Subjectivity had been cleared up in traditional spirit of European poetics. When the romantic literary criticism praised the subjective during the 19th century, the writers' status became the most lofty. Romanticism was counteracted deeply by Keats and Eliot,with " negative capability " and with " impersonality " theory respectively so that their doctrines became the first sign of The New Criticism. Susan.S.Lanser temped to solve the conflict between personal and public feelings in terms of formalism Semiology. Structuralism and post-structuralism advocated that the writer ws dead'.
作者的非人格与死亡
本文论述了西方文学批评中创作主体性的主题。主体性在欧洲传统诗学精神中得到消解。19世纪浪漫主义文学批评推崇主体性的时候,作家的地位达到了最高。浪漫主义在济慈和艾略特的“消极能力”和“非人格”理论中受到了深刻的抵制,他们的学说成为新批评主义的第一个标志。苏珊·兰斯试图从形式主义符号学的角度来解决个人情感与公共情感之间的冲突。结构主义和后结构主义主张“作家是死的”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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