{"title":"Animation Style as Inner Emigration -Expressionism in Yŏn Sang-ho’s The King of Pigs (TWAEJIŬI WANG, 2011)-","authors":"박노출","doi":"10.15751/cofis.2018.14.3.285","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Film Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15751/cofis.2018.14.3.285","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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