Brian May and Roger Taylor

Abstract

This chapter analyses the vocal techniques of Brian May and Roger Taylor in their limited roles as lead singers of Queen. May’s distinct techniques revolve around imprecise pitching inflections, variable vibrato, and a thinner tone in the upper register, all of which connote a sense of untrained naturalness. Taylor’s singing is marked by a wide vibrato, frequent use of vocal distortion, and rhythmic delivery that does not conform to the metrical grid. His singing style is one that connotes improvisation and performance freedom. It is argued that the two singers’ approaches align well with strands of rock authenticity as established by Allan Moore—May with folk-rock singers, such as Dylan or Springsteen; Taylor with hard rock and blues-derived singers, such as Plant or Hendrix.