Tiger mother and her cubs on a stage:

K@ta Pub Date : 2019-06-21 DOI:10.9744/KATA.21.1.33-41
S. Irawan
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Abstract

Ever since the publication of Amy Chua’s memoir, Battle Hymn of The Tiger Mother, in 2011, Asian or Asian-heritage parenting has received more time under the limelight both in and out of the United States. More attention is given to the effects of that particular parenting style on the children’s academic achievement and wellbeing. Listen to Me (LTM), a play by Bernadeth Febyola Linando (2018) published as one of Petra Little Theatre’s New Play Development Series, indicates that the issue also hits a nerve among young contemporary Indonesian playwrights. This paper is interested in finding out how LTM portrays Tiger Mother parenting style and its impact on the children. Upon analyzing the play using the conceptual framework of parenting styles and their impacts, this paper argues that LTM displays a typical Tiger Mother parenting similar to Chua’s with a slight difference, and it shows mainly negative results of such parenting on the main character, and, on the side, some positive results on two other supporting characters.
舞台上的虎妈妈和她的幼崽:
自从2011年蔡美儿(Amy Chua)的回忆录《虎妈战歌》(Battle Hymn of the Tiger Mother)出版以来,亚裔或亚裔子女的育儿方式在美国国内外受到了更多的关注。人们更多地关注这种特殊的养育方式对孩子学业成绩和幸福的影响。bernades Febyola Linando的戏剧《听我说》(LTM)(2018年)作为佩特拉小剧场新戏剧发展系列之一出版,表明这个问题也触及了当代印尼年轻剧作家的神经。本研究的目的是要找出LTM如何描述虎妈的教养方式及其对孩子的影响。本文运用父母教养方式及其影响的概念框架对该剧进行分析,认为LTM表现出与蔡美儿相似的典型虎妈教养方式,但略有不同,这种教养方式对主要角色的影响主要是负面的,而对其他两个配角的影响则是积极的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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