Cicero’s Metaphor Hypotheses Revisited: An Inter-disciplinary Approach to the Aesthetic Appeal of Novel Metaphors

Zhouyan Qiu
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Abstract

Metaphor permeates almost everywhere, and novel metaphors in particular are supposed to be more aesthetically appealing. Given the lack of a systematic research on the aesthetics of linguistic forms, this paper aims at investigating the factors contributing to novel metaphors’ aesthetic appeal. This study takes as a point of departure the great Roman rhetorician Marcus Tullius Cicero’s four hypotheses about the contributing factors to metaphor’s aesthetic appeal. These hypotheses prove to be reasonable based on our wide-ranging study on the relevant researches of inter-disciplinary interests in such fields as linguistics, psychology, neurology and aesthetics. Vivid images, pleasure in comprehension and meaning inexhaustibility are found to be the three potential contributing factors. Presumably, this inter-disciplinary endeavor will shed light on our investigation into the aesthetics of novel metaphors.
重新审视西塞罗的隐喻假说:小说隐喻审美诉求的跨学科研究
隐喻几乎无处不在,尤其是新奇的隐喻更具有审美吸引力。由于缺乏对语言形式美学的系统研究,本文旨在探讨影响小说隐喻审美吸引力的因素。本研究以伟大的罗马修辞学家西塞罗关于隐喻的审美吸引力形成因素的四个假设为出发点。通过对语言学、心理学、神经学、美学等跨学科领域相关研究的广泛研究,证明这些假设是合理的。生动的形象、理解的愉悦感和无穷无尽的意义是三个潜在的影响因素。据推测,这种跨学科的努力将有助于我们对小说隐喻美学的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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