Tragic Work

M. Göpfert
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Abstract

This chapter explores the narrative of the frontier, of the gendarmes' being caught between les textes and le social, between bureaucratic form and lived life—in a lack of resolution. There is nothing beyond this tension, no safe space where the gendarmes can find certainty and protection; there is no bureaucratic haven. This tension is even accentuated by the different and often conflicting expectations of civilians, prosecutors, and the gendarmes' superiors. The gendarmes' mandate is ultimately unaccomplishable, their task impossible. The bureaucratic drama thus created both communitas and isolation at the same time. It created communitas among the gendarmes through their shared sense of frustration. But it also caused a sense of isolation as tragic creatures, with neither catastrophe nor catharsis in sight. Indeed, the gendarme is a bureaucratic Sisyphus: a frontier figure tasked with the impossible project of closing the frontier.
悲剧作品
这一章探讨了边境的叙事,探讨了宪兵在缺乏解决方案的情况下被困在文本和社会之间、官僚形式和生活之间的故事。在这种紧张局势之外,没有任何东西,没有安全空间,宪兵可以找到确定性和保护;没有官僚避难所。平民、检察官和宪兵上级之间不同的、经常相互冲突的期望甚至加剧了这种紧张关系。宪兵的任务最终是无法完成的,他们的任务是不可能完成的。因此,官僚戏剧同时创造了社群和孤立。通过他们共同的挫败感,它在宪兵中形成了社区。但它也造成了一种作为悲剧生物的孤立感,既没有灾难,也没有宣泄。事实上,宪兵是一个官僚主义的西西弗斯:一个肩负着关闭边境这个不可能完成的任务的前线人物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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