Churchill’s American Arsenal: The Partnership Behind the Innovations that Won World War Two

T. Taylor
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Abstract

young men such as Paul found themselves in once they were marooned to the frontline. The film brilliantly depicts how these young men slowly become numb to the bloodshed and the only feelings they are left with are fear, hunger and the urge to survive to escape a daunting present and return to a past they can barely remember. The visual effects and technical achievements of the film are as captivating as 1917 – another First World War film that follows the experience of two young British corporals, Blake and Schofield, in and around ‘no man’s land’, the territory in northern France separating German and British troops. Like All Quiet on the Western Front, 1917 provides a visceral and raw depiction of the horrors of war and both films illustrate how equally brutal and relentlessly dehumanising the war has been for young men fighting and dying on the battlefield in the First World War, regardless of nationality or the side for which they fought.
《丘吉尔的美国兵工厂:赢得二战的创新背后的伙伴关系
像保罗这样的年轻人一旦被困在前线,就会陷入困境。这部电影精彩地描绘了这些年轻人如何慢慢地对流血麻木,他们唯一留下的感觉是恐惧、饥饿和生存的冲动,以逃离令人生畏的现在,回到他们几乎不记得的过去。影片的视觉效果和技术成就与《1917》一样引人入胜。《1917》是另一部第一次世界大战的电影,讲述了两个年轻的英国下士布莱克和斯科菲尔德在法国北部分隔德国和英国军队的“无人区”及其周围的经历。就像《西线无战事》一样,《1917》对战争的恐怖进行了发自内心的、原始的描述,两部电影都展示了这场战争对那些在第一次世界大战战场上战斗和牺牲的年轻人来说是多么残酷和无情的非人化,无论他们的国籍或为哪一方而战。
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