The significance of symbolism and allegory in Cormac McCarthy’s The Road – a new era of post-apocalyptic fiction

Dorota Gładkowska
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Abstract

McCarthy’s The Road is frequently described as a gloomy dystopia in which the redemption of humanity is impossible. This essay adopts a different perspective and focuses on the impact of the novel’s symbolism on the shifts in its overall message. The analysis leads to uncovering certain oppositions, apparent dichotomies and paradoxes incorporated in the novel’s recurring images and motifs, with particular emphasis on the motif of dream vision. McCarthy’s ascetic style is also considered in terms of its iconicity and functionality. In other words, this essay argues that the symbolically charged elements of The Road, due to their persistence in the text characterised by minimalism, form an intricate pattern which holds the novel’s allegorical message. The point advocated is that McCarthy’s literary symbolism leaves room for redemption in the world presented and signals the possibility of rebirth. It thus has the potential to gradually undermine and eventually subvert the initial perception of the novel as entirely pessimistic. All things considered, The Road is presented as a step forward in the evolution of post-apocalyptic fiction.
论科马克·麦卡锡《路》中象征主义与寓言的意义——后启示录小说的新时代
麦卡锡的《路》经常被描述为一个阴郁的反乌托邦,在那里人类不可能得到救赎。本文采用不同的视角,重点研究小说的象征主义对其整体信息转变的影响。这种分析揭示了小说中反复出现的意象和母题中的某些对立、明显的二分法和悖论,特别强调了梦境的母题。麦卡锡的禁欲风格也被认为是其标志性和功能性。换句话说,本文认为《路》中充满象征意义的元素,由于它们在极简主义的文本中持续存在,形成了一个复杂的模式,其中包含了小说的寓言信息。其主张的观点是,麦卡锡的文学象征主义为所呈现的世界留下了救赎的空间,并标志着重生的可能性。因此,它有可能逐渐削弱并最终颠覆小说最初完全悲观的看法。综上所述,《路》是后启示录小说进化的一步。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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