Eurasian Images, Archetypes and Mirages: Vectors from Ancient Times to Nowadays

Alexandr Gnes
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引用次数: 0

Abstract

National and ethnic archetype that is being carved in tales, folklore, and epos for centuries, is a key to understanding imagology as a set of images and notions about a culture or nationality. In Eurasia, gradual evolution of archetypes of different peoples was overthrown by World War I, which created new peoples, new borders and new nations. In the article, on the basis of studying Magyar national archetype and its relationships with other Eurasian archetypes, mainly Germanic and Turan, we are outlining a hypothesis that a clear delineation “our own – foreign” that would defy the globalisation, is a necessary prerequisite for the sustainable and productive coexistence of Eurasian cultures and nationalities and an important condition of Eurasia’s future development.
欧亚形象,原型和幻影:从古代到现在的载体
几个世纪以来,在故事、民间传说和史诗中雕刻的国家和民族原型是理解意象学作为一套关于文化或民族的形象和观念的关键。在欧亚大陆,不同民族原型的逐渐演变被第一次世界大战推翻,它创造了新的民族、新的边界和新的国家。本文在研究马扎尔民族原型及其与其他欧亚原型(主要是日耳曼和图兰)的关系的基础上,提出了一个假设,即明确界定“我们自己-外国”,反对全球化,是欧亚文化和民族可持续和富有成效共存的必要前提,也是欧亚未来发展的重要条件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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