A Study on the Selection Background and the Performance Historical Status of Chunhyangjeon Performed by Geukyesul yeonguhoe

Namseok Kim
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Abstract

Geukyesul yeonguhoe (lit. theater art research society) performed Chunhyangjeon (The Story of Chunhyang ) on September 29-30, 1936. This performance was the 12th regular performance of the Geukyesul yeonguhoe, in which Hamlet was initially scheduled to perform as the 5th anniversary project. After experiencing the quitting of its members in June 1936, However, the Geukyesul yeonguhoe was in a crisis, and the performance of Hamlet was canceled. It did not give an official reason for the cancellation of the Hamlet performance, but the traces of suffering from the pressure to select a masterpiece to replace Hamlet were confirmed. As a result, it worked on performing Chunhyangjeon , which was unexpected at the time, and this performance made the position of the Geukyesul yeonguhoe as the leader in the modern theater field changed greatly. Through the performance of Chunhyangjeon, the Geukyesul yeonguhoe accepted the performance pattern that popular theater companies used as a commercial repertoire, and publicly announced their will not to reject this trend. The performance of Chunhyangjeon made the Geukyesul yeonguhoe officially acknowledge that they gained audiences and saw the possibility of profitable management but lost one of its distinguishing points from existing popular theater companies and ultimately began to focus on the operation of an audience-friendly theater company and the selection of works that were highly popular with the public. Therefore, Chunhyangjeon can be considered a representative play that illustrates the change and career change of the Geukyesul yeonguhoe in 1936.
盖世英姑会《春香传》的选择背景与表演历史地位研究
1936年9月29日至30日,国教会演出了《春香传》。此次演出是作为创团5周年纪念演出《哈姆雷特》的“盖世燕鸥会”的第12次定期演出。但在1936年6月经历了成员退出事件后,国教会陷入了危机,《哈姆雷特》的演出被取消。它没有给出取消《哈姆雷特》演出的官方原因,但可以肯定的是,在选择一部杰作来取代《哈姆雷特》的压力下所遭受的痛苦的痕迹。因此,在当时没有预料到的情况下,演出了《春香传》,从而使盖世英会会在现代戏剧领域的领导地位发生了巨大的变化。通过《春香传》的演出,国教英会会接受了大众剧团作为商业剧目使用的演出模式,并公开表明了不排斥这种趋势的意志。通过《春香传》的演出,盖世英会会正式承认,虽然获得了观众,也看到了盈利经营的可能性,但却失去了与现有人气剧团的一个区别,最终开始专注于“观众友好型剧团”的运营和挑选人气较高的作品。因此,《春香传》可以看作是反映1936年盖世英会会的变化和事业变化的代表性戏剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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