Vernacular Products: An Example to Circular Design

J. Vicente
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Abstract

Throughout most mankind’s history our daily life artifacts have been designed, produced, and used with respect for social and environmental constrains and within the carrying capacity of ecosystems. Also, they have been created to fulfill tangible and specific needs (not desires) of individuals and communities to their daily tasks and have sustained a thorough process of evolution and adaptation to the cultural and environmental context and, so, have been perfected over time. It has been only with the technological and cultural changes implemented with the industrial revolution that several unbalances have been created in the relation between our material culture and the natural world. It stands to reason that there are lessons to be learned from those previous times, from their habits and, with a design perspective, from their products. This paper presents an analysis of vernacular objects identifying design features related to morphology, functionality, production, material, and use. This text presents as case study a set of vernacular objects from the rural life collection of the Portuguese National Museum of Ethnology. The analysis was made with support of literature, drawing and photography, and adapting some examples from previous studies of vernacular heritage and architecture. These products serve as example of the incorporation of circular product design strategies.
乡土产品:以循环设计为例
纵观人类的大部分历史,我们日常生活用品的设计、生产和使用都尊重社会和环境的限制,并在生态系统的承载能力范围内。此外,它们的创造是为了满足个人和社区对其日常任务的有形和具体需求(而不是欲望),并且经历了一个彻底的进化和适应文化和环境的过程,因此,随着时间的推移,它们得到了完善。只有随着工业革命带来的技术和文化变革,我们的物质文化与自然世界之间的关系才出现了一些不平衡。从他们的习惯和设计角度来看,从他们的产品中可以学到很多东西,这是理所当然的。本文分析了乡土物品在形态、功能、制作、材料和使用等方面的设计特征。本文提出的案例研究一套从农村生活的葡萄牙国家民族学博物馆收藏的白话对象。分析是在文献、绘画和摄影的支持下进行的,并采用了以前对乡土遗产和建筑的研究中的一些例子。这些产品作为循环产品设计策略的范例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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