Pictures from an Exhibition

Dorota M. Dutsch
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Abstract

Chapter II collects and analyses the Greek sayings that circulated under Theano’s name, and briefly discusses the Syriac collection. It situates Theano in the gallery of sages and clever women whose personae were represented and repeatedly performed through chreiai. Theano articulates her program within a greater network of sayings and anecdotes, including sayings of clever courtesans, Sappho, Diogenes, Herodotus, and Spartan women, to then be deployed in intellectual games by men—and women. The chapter draws attention to the tactics of appropriation, allusion, and citation that connect Theano’s aphorisms to that network. The sayings allude to tensions between the Pythagorean and Cynic ideas about sex, marriage, and women’s education; they reveal a debate on women’s role as defined by the teachings of the two schools. The extensive Syriac collection is linked to a group of Greek sayings that present Theano as a universal sage whose pronouncements matter to men as much as to women.
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第二章收集并分析了以西阿诺之名流传的希腊语录,并简要讨论了叙利亚语录。它将西安诺置于圣贤和聪明女性的画廊中,这些女性的角色通过克雷艾被再现和反复表演。忒亚诺在一个更大的说法和轶事网络中阐明了她的计划,包括聪明的交际花,萨福,第欧根尼,希罗多德和斯巴达女性的说法,然后被男人和女人运用在智力游戏中。这一章让我们注意到将西阿诺的格言与这个网络联系起来的挪用、典藏和引用的策略。这些谚语暗指毕达哥拉斯派和犬儒派在性、婚姻和女性教育方面的紧张关系;它们揭示了两所学校所定义的妇女角色的争论。大量的叙利亚藏品与一组希腊谚语有关,这些谚语将西阿诺描绘成一个普遍的圣人,他的言论对男人和女人都很重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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