Performance Measurement of Animation Design Pre-Production Artist During COVID-19 Pandemic in India

Arghya Kamal Roy, Abhishek Kumar, B. Muthu Kumaran, Sayyad Samee, Pranjal Singh, K. Vengatesan
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Abstract

This research focuses on the development of the Indian animation industry. In Animation Pipeline pre-production is an important stage that determines the success of a film. Create and develop a story is the fast step and all other steps have to follow that storyline till final film realized. In this research paper present the survey base online questionnaire and the data has been collected of 300 artist who belong into Indian animation industry conducted in September 2020 by using google form. In general, Indian animation industry mostly run into production and post production (technical) base work so Indian animation industry has a smaller number of vacancies for pre-production (design and planning) artist and also having a very a smaller number of design and planning artist because of that they have highly demand. To evaluate and determine the factors that may affect the level of Indian animation pre-production industry. The study helpful to identify the animation industry current need and it focuses on planning stage to production of a movie. This research paper concludes 95% of artist working into the industry for production and post production if they are properly working into preproduction and then start into the movie work then there will be more vacancy for pre-production artist and end of the day production cost reduced up to 25 %.
印度COVID-19大流行期间动画设计前期制作艺术家的表现衡量
本研究的重点是印度动漫产业的发展。在动画流水线中,前期制作是决定电影成功与否的重要阶段。创造和发展故事是快速的一步,所有其他步骤都必须遵循故事情节,直到最终电影实现。在本研究论文中提出了调查基础的在线问卷调查,数据收集了属于印度动画产业的300名艺术家,并于2020年9月使用谷歌表格进行了调查。总的来说,印度动画产业主要是制作和后期制作(技术)基础工作,所以印度动画产业的前期制作(设计和策划)艺术家的空缺数量较少,设计和策划艺术家的数量也非常少,因为他们有很高的需求。评估和确定可能影响印度动画前期制作产业水平的因素。该研究有助于确定动画产业当前的需求,并侧重于电影的规划阶段到制作阶段。这篇研究论文得出的结论是,95%的美工是为了制作和后期制作而进入这个行业的,如果他们正确地进入前期制作,然后开始进入电影工作,那么将会有更多的前期制作美工的空缺,最终的制作成本将降低25%。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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