Music code of poetry Dmitry Kremeny

O. Petrenko
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引用次数: 3

Abstract

The article deals with the role of musical images in the poetry of Dmitry Kremen. The subject of study is the music code, which is present in many works of the poet. Musical signs, symbols, links play a significant role in vocabulary, phraseology and other ways of poetic expressiveness. Familiarity with the subject world of D. Kremin's poetic texts includes a wide range of concepts related to the world of sounds. The additional accents of a musical-conceptual thesaurus arise when musical cues form certain speech turns that acquire the meaning of metaphors. Musical signs in the lyrics of Dmitry Kremin imply awareness of a wide range of sound associations, which the poet interprets from the standpoint of his own value attitude to them. Beethoven, Chopin, Mozart are the names-symbols of the world music culture, which occupy a significant place in the thesaurus of Dmitry Kremin's poetic texts. Behind these subject designations lies the vast world of artistic and figurative generalization and lyrical and philosophical reflections that are gaining coded meaning. Familiarity with the poetry of Dmitry Kremin proves that the leitmotif of many of his texts is the image of a violin, which acquires different semantic shades. Thus, in Beethoven's poetry, the poet emphasizes the value of music as a special language, devoid of words, but empowered to embody emotional and semantic richness, and therefore capable of being the language of angels. Music code the poetry of Dmitry Kremen is a multidimensional system in which the concept of "music" acts as a concept as a set of meaningful characters and their semantic meanings. In the process of decoding Dmitry Kremin's poetry, one can discover the deep semantic loads of the musical code, on the one hand – as the embodiment of the categories of high, sublime, valuable and eternal in the human sense, on the other – as a symbol of the extra-material, mystical, language of which the angels speak. Decoding the poet's texts is the process of extracting recognition codes and perception codes. The codes of perception in the poetry of Dmitry Kremenya are meaningful loads of texts, its semantic components, which highlight the deep meanings of texts. Through the musical code, the poet embodies the content of the categories of the sublime and the beautiful. The music code shows the understanding of poetry of Dmitry Kremenin a deeply metaphorical sense.
诗歌的音乐密码,德米特里·克雷梅尼
本文探讨了音乐形象在德米特里·克里门诗歌中的作用。研究的主题是音乐代码,它出现在诗人的许多作品中。音乐符号、符号、链接在词汇、短语和其他诗歌表达方式中发挥着重要作用。熟悉D. Kremin诗歌文本的主题世界包括与声音世界相关的广泛概念。当音乐线索形成某些获得隐喻意义的言语转折时,音乐概念同义词库的额外重音就会出现。Dmitry Kremin歌词中的音乐符号暗示着对广泛的声音联想的意识,诗人从自己对它们的价值态度的角度来解读这些声音联想。贝多芬、肖邦、莫扎特是世界音乐文化的名字符号,在德米特里·克雷米林诗歌文本的同义词库中占有重要地位。在这些主题指定的背后,是艺术和形象概括的广阔世界,是获得编码意义的抒情和哲学反思的广阔世界。熟悉德米特里·克莱明(Dmitry Kremin)的诗歌可以看出,他的许多文本的主题都是小提琴的形象,这一形象获得了不同的语义色调。因此,在贝多芬的诗歌中,诗人强调音乐作为一种特殊语言的价值,它没有文字,但有能力体现情感和语义的丰富,因此能够成为天使的语言。克里门诗歌的音乐代码是一个多维系统,在这个系统中,“音乐”概念作为一个概念,作为一组有意义的字符及其语义。在解读德米特里·克列明诗歌的过程中,我们可以发现音乐密码的深层语义负荷,一方面,它是人类意义上崇高、崇高、宝贵和永恒范畴的体现,另一方面,它是天使所说的超物质、神秘语言的象征。诗人文本的解码是提取识别码和感知码的过程。德米特里·克列门亚诗歌中的感知码是文本的意义负荷,是文本的语义成分,它突出了文本的深层意义。诗人通过音乐符码,体现了崇高与美好范畴的内容。音乐密码体现了对德米特里·克莱门宁诗歌深刻的隐喻意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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