Mothering Bacteria: A Speculative Forecast of the Body as an Interface

Prophecy Sun, Freya Zinovieff, G. Sepúlveda
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引用次数: 2

Abstract

Bodies are interfaces, thresholds, vestibules, and gateways capable of hosting, carrying and birthing other life forms. Occupying indeterminable positions, interfacing with multidimensional borders, cultures, media, and ecologies; mediating internal and external inputs/relations - bodies feel vibrations, perceive and collect information, remediate, respond, negotiate expectations, and make connections through the limbs, eyes, ears, skin, cells and beyond. Scholars, critics, and theorists describe this complex interfacing as a multispecies relationship consisting of deep histories, continually re-forming and transitioning into something new (Dooren et al., 2016). What Eben Kirksey deems as the microorganism, Wolbachia, a post-human actor that meshes a variety of species together that exist in different time frames and realities (Kirksey, 2018). For this exhibition, we introduce Mothering Bacteria: A Speculative Forecast of the Body as an Interface (2018), a multichannel artwork with an embedded AI that interacts with bacteria, as it grows in real-time.
母体细菌:身体作为界面的推测性预测
身体是界面、门槛、前厅和入口,能够承载、携带和生育其他生命形式。占据不确定的位置,与多维边界、文化、媒体和生态相连接;调节内部和外部输入/关系-身体感觉振动,感知和收集信息,修复,回应,协商期望,并通过四肢,眼睛,耳朵,皮肤,细胞和其他部位建立联系。学者、评论家和理论家将这种复杂的界面描述为一种由深刻的历史组成的多物种关系,不断地重新形成并过渡到新的东西(Dooren et al., 2016)。Eben Kirksey认为的微生物沃尔巴克氏体是一个后人类演员,它将存在于不同时间框架和现实中的各种物种融合在一起(Kirksey, 2018)。在本次展览中,我们将介绍一件多通道艺术作品——《母性细菌:作为界面的身体的推测预测》(2018),这是一件嵌入人工智能的多通道艺术作品,随着细菌的实时生长,人工智能与细菌相互作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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