COMPOSITIONAL-AESTHETIC PERSONALITY OF THE AUTOBIOGRAPHIC WORK OF V. KORSAK "CAPTIVITY"

Abstract

The genre designation of a work is its text marker, since for the author a genre serves as a kind of canon or creative model, representing a set of basic (nuclear) components that are characteristic and reproduced in the structure of various texts of the same genre. However, using the "genre potential" when creating a work, each author gives them an individual character. This article examines the compositional and aesthetic originality of the memoir "Captivity" by V. Korsak. The composition acts as a form of structural reflection and development of the theme, which is divided into internal and external. Composition, notes N.A. Nikolina, “there is a manifestation of significant discontinuity in continuity”. Thus, the originality of the linguistic approach to the study of the composition of the text is revealed when considering the categories of articulation and coherence. The factors of composition articulation include: graphic selection of parts, compositional speech form of presentation, type of transmitted information, role in the semantic deployment of the text content. These factors form different types of division: volumetric-pragmatic, structural-semantic and contextvariable. The last two types of division are largely related phenomena. In our article, we consider the internal composition of the investigated memoir work in the context of contextual-variable articulation