Magiczno-religijna mozaika. Źródła obrazów postaci bogów Krain Wewnętrznego Morza z „Sagi o Zbóju Twardokęsku” Anny Brzezińskiej

Dorota Ucherek
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Abstract

The aim of this article is to find the sources of images of the Inner Sea Lands gods in Anna Brzezińska’s “Saga of Twardokęsek the Brigand”. The author presents the most important features of these characters, their most recognizable actions and attributes, comparing them with possible prototypes derived from Greek, Roman, Scandinavian, Slavic, and Hindu mythology, as well as Christianity. She points out that the gods in Brzezińska’s saga, although worshipped, are not omnipotent and do not possess full creative powers. They turn out to be only slightly more powerful than their off spring, the fruit of their relationships with humans — witches. Shaping human fates, they are only able to recreate ancient patterns over and over again and are subject to a higher power (similarly to how the Greek gods were subject to Fatum). In their images, we can also find traces of inspiration from the classic mythopoetic fantasy, especially Ursula K. Le Guin’s series about the Earthsea. Thus, these images can be seen as a magical-religious mosaic, which evokes associations with the considerations of classical anthropology on the relations between magic and religion. The author also puts forward the hypothesis about treating these images as a metaphor for the process of creating literature, especially in its original, oral form.
本文旨在寻找安娜Brzezińska《Twardokęsek强盗传奇》中内海诸神形象的来源。作者呈现了这些人物最重要的特征,他们最容易识别的行为和属性,并将他们与来自希腊、罗马、斯堪的纳维亚、斯拉夫和印度神话以及基督教的可能原型进行了比较。她指出,在Brzezińska的传奇故事中,神虽然受到崇拜,但并不是无所不能的,也没有完全的创造力。结果他们只比他们的后代——他们与人类关系的产物——女巫——强大一点点。塑造人类的命运,他们只能一遍又一遍地重现古代的模式,并受制于更高的力量(类似于希腊诸神受制于法图姆)。在他们的形象中,我们也可以找到来自经典神话幻想的灵感痕迹,尤其是乌苏拉·勒奎恩关于地海的系列。因此,这些图像可以被看作是魔术-宗教的马赛克,它唤起了古典人类学对魔术与宗教关系的考虑。作者还提出了将这些意象作为文学创作过程的隐喻的假设,特别是在其原始的口头形式中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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