History in the Making

Sabeena Gadihoke
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Abstract

While the nationalist movement gathered momentum in India, a visual archive was being created by a small group of intrepid photographers. The ca era had moved out of the studio into the streets, and more portable photographic equipment was making it possible for them to be present at every major event of the time. While the more iconic of their images would eventually be remembered as History, their own histories were far from visible, dominated as they were by stories of missing negatives and prints, of ambiguities about ownership and authorship, and a lack of recognition. After all, unlike their more famous counterparts, such as Margaret Bourke-White or Henri Cartier-Bresson, these were just humble press photographers. Yet, unaware of the importance
创造历史
当民族主义运动在印度愈演愈烈时,一小群勇敢的摄影师正在创建一个视觉档案。摄影时代已经从工作室搬到了街上,更多的便携式摄影设备使他们能够出现在当时的每一个重大事件中。虽然他们的照片中更具标志性的部分最终会作为历史被人们记住,但他们自己的历史却远不为人所知,因为他们被丢失的底片和印刷品、所有权和作者的模糊以及缺乏认可的故事所主导。毕竟,与玛格丽特·伯克-怀特(Margaret Bourke-White)或亨利·卡蒂埃-布列松(Henri Cartier-Bresson)等更著名的同行不同,他们只是卑微的新闻摄影师。然而,没有意识到它的重要性
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