EKONOMI KREATIF DI ERA PANDEMI COVID 19 DENGAN MENINGKATKAN KERAJINAN PAYUNG KERTAS KALIBAGOR SEBAGAI HASIL BUDAYA KERAJINAN BANYUMAS

Ana Andriani, R. B. B. Kertopati, Sri Harmianto
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Abstract

: Umbrellas as a medium for meeting human needs are certainly very familiar. In this condition, it can be seen that umbrellas are adaptive living equipment, so that even umbrellas need to be seen as 'symbolic objects' that have various meanings for their users. Umbrellas in Java have long historical roots dating back to the 1950s. The initial function of the umbrella was as body protection from hot or rainy weather, but then the umbrella transformed into other functions such as in art, death and became symbols of nobility. Kalibagor is one of the sub-districts located in Banyumas district. Many home industries for paper umbrellas are made directly by the community. The raw materials for this paper umbrella are paper and wood. Even the umbrellas are painted, there is no machine intervention. As the years change, the times change, technology exposure is unavoidable for umbrella craftsmen. The existence of modern umbrellas made from synthetics and manufactured iron handles, makes consumers abandon hand-assembled umbrellas. This paper will discuss how this Kalibagor paper umbrella craft can survive and continue to live in the modern era, especially during the COVID-19 pandemic to continue to support the family and surrounding community.
在COVID大流行的创造性经济中,由于BANYUMAS手工艺文化,增加了KALIBAGOR纸伞的工艺
作为满足人类需求的媒介,雨伞当然是非常熟悉的。在这种情况下,可以看出雨伞是一种适应性的生活设备,因此即使是雨伞也需要被视为具有各种意义的“象征性物体”。爪哇的雨伞历史悠久,可以追溯到20世纪50年代。伞最初的功能是在炎热或下雨的天气中保护身体,但后来雨伞转变为艺术,死亡等其他功能,成为贵族的象征。Kalibagor是Banyumas区的一个分区。许多家庭生产的纸伞都是由社区直接生产的。这把纸伞的原料是纸和木头。就连雨伞都是彩绘的,没有机器干预。随着岁月的变迁,时代的变迁,技术的暴露对于伞匠来说是不可避免的。现代雨伞的存在是由合成材料和人造铁把手制成的,这使得消费者放弃了手工组装雨伞。本文将讨论这种卡利巴戈尔纸伞工艺如何在现代,特别是在COVID-19大流行期间生存和继续生存,以继续支持家庭和周围社区。
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