Textological Commentary to A. N. Ostrovsky’s Comedy Rich Brides: on the Formation of the Author's Intention

E. N. Belyakova
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引用次数: 0

Abstract

The article is devoted to the formation of the author’s intention in A. N. Ostrovsky’s comedy Rich Brides. The play was originally published in 1876 in the February issue of Otechestvennye Zapiski, but before publication it had been staged at the Alexandrinsky (St. Petersburg) and Maly (Moscow) theaters. The comedy provoked very contradictory, and sometimes rude, judgments from critics. In 1876, A. N. Ostrovsky, possibly under the influence of criticism, attempted to partially change the text of the play, but not all the author’s corrections were included in the final version of the comedy, published in 1878. Manuscript departments of the Russian State Library and the Institute of Russian Literature preserve draft autographs of the play, testifying to the formation of the author’s intention. To describe the main stages of work on the text, tracing the nature of the main changes, later saved or rejected by the playwright, is the main task of the presented work.
奥斯特洛夫斯基喜剧《富家新娘》的文本评析——论作者意旨的形成
本文旨在探讨奥斯特洛夫斯基喜剧《富家新娘》中作者创作意图的形成。该剧最初于1876年发表在《Otechestvennye Zapiski》二月号上,但在出版之前,它已在亚历山大林斯基(圣彼得堡)和马利(莫斯科)剧院上演。这部喜剧引起了评论家非常矛盾,有时甚至是粗鲁的评价。1876年,a·n·奥斯特洛夫斯基(A. N. Ostrovsky)可能受到批评的影响,试图对剧本进行部分修改,但并不是所有作者的修改都包含在1878年出版的这部喜剧的最终版本中。俄罗斯国家图书馆和俄罗斯文学研究所的手稿部门保存了剧本的草稿签名,证明了作者意图的形成。在文本上描述作品的主要阶段,追踪主要变化的性质,后来被剧作家保留或拒绝,是本作品的主要任务。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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