« La trace d’une époque finie dans les moeurs d’une époque nouvelle » : la crise de mémoire dans Le Chevalier des Touches de Jules Barbey d’Aurevilly

Patrick Teichmann
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Abstract

« La trace d’une époque finie dans les moeurs d’une époque nouvelle » : The Memory Crisis in Jules Barbey d’Aurevilly’s Le Chevalier des Touches In his historical novel Le Chevalier des Touches (1864), Jules Barbey d’Aurevilly paints a sombre picture of the former counterrevolutionary Chouan heroes of Normandy : over the first decades following the French Revolution, the aristocrats lose their ancestral castle and end up living in an anachronistic salon while slowly falling into collective oblivion. Therefore, this article argues that Barbey d’Aurevilly’s novel is concerned with a pressing memory crisis (in the sense of the term coined by Richard Terdiman) which manifests itself in the material sphere. For this purpose, the gradual decay of the nobles’ abodes will be analyzed, from the transformation of their castle to the asylum where the protagonist spends his last days. The examination of these intérieurs allows us to gain extensive insight into Barbey d’Aurevilly’s attachment to the Ancien Régime and his fundamental repudiation of the social changes occasioned by the political developments in 19th-century France.
朱尔斯·巴贝·德·奥雷维利(Jules Barbey d’Aurevilly)的《钥匙骑士》(Chevalier des keys)中的记忆危机
朱尔斯·巴贝·德·奥雷维利在他的历史小说《接触的骑士》(1864)中,描绘了一幅诺曼底反革命的朱安英雄们的阴郁画面:在法国大革命后的头几十年里,贵族们失去了祖传的城堡,最终生活在一个不合时宜的沙龙里,慢慢地被集体遗忘。因此,本文认为巴比·德·奥雷维利的小说关注的是一种紧迫的记忆危机(理查德·特迪曼创造的术语的意义),这种危机在物质领域表现出来。为了达到这个目的,我们将分析贵族住所的逐渐衰败,从他们的城堡的改造到主人公度过最后日子的收容所。通过对这些内因的考察,我们可以深入了解巴贝·德·奥雷维利对旧的内因的依恋,以及他对19世纪法国政治发展所引起的社会变革的根本否定。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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