Učenje kroz pokret u pristupima muzičkom obrazovanju

Marija K. Tanasković
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Abstract

The movement is related to dance and play, and it is significant for the musical development of an individual and his/her perception of music. Some research results show that learning through movement is familiar to children and can contribute to their development in many aspects (musicality, creativity, but also to their cognitive, social and physical development). Some approaches to music education focusing on the child, which is an imperative of modern upbringing and education, emphasize the importance of understanding the content of learning through sensory perception and practical activities. Music is associated with speech, movement and play, as these elements coexist in children. The paper gives an overview of approaches and methods (Dalcroze, Orff, Kodaly, Gordon) in music education in which movement has a dominant role and significance, as it activates not only the body and the mind, but also encourages the perception of music and its means of expression.
这个动作与舞蹈和演奏有关,对个人的音乐发展和他/她对音乐的感知具有重要意义。一些研究结果表明,通过运动来学习是儿童所熟悉的,并且可以促进他们在许多方面的发展(音乐,创造力,以及他们的认知,社会和身体发展)。一些以儿童为中心的音乐教育方法强调通过感官知觉和实践活动理解学习内容的重要性,这是现代教育和教育的必要条件。音乐与语言、动作和游戏有关,因为这些元素在儿童身上并存。本文概述了音乐教育的途径和方法(Dalcroze, Orff, Kodaly, Gordon),其中运动具有主导作用和意义,因为它不仅激活身体和心灵,而且还鼓励对音乐的感知及其表达方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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