Corpo, percepção e valor no pensamento curatorial contemporâneo

Abstract

This article adopts as its starting point some transformations in the statutes of body, space and time, formulated from the hegemony of the white cube as spatial configuration of art exhibitions. Using the concepts of mediality of Muller and Felinto, iconophagy of Baitello Jr., and aura of Benjamin, we propose a genealogical research on art exhibitions at their intersections with a broader media landscape in which the proliferation of images produces profound changes in the statutes of perception and value.