Versification

Howard Jones, Martin H. Jones
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Abstract

This chapter describes the chief features of versification in poetry written in the Middle High German Classical period (c.1170–c.1230) and in the remainder of the Middle High German period. The four parts of the chapter treat metre (anacrusis, interior of the line, cadence), rhyme (types of rhyme, rhyme schemes), lines of verse in context (rhythmical continuity or discontinuity between lines of verse, metrical and syntactical structures, rhyming couplets and syntactical structures), and verse forms (non-strophic verse, strophic verse in heroic and lyric poetry, the ‘Stollenstrophe’). Tips for the scansion of verse are included. Technical terminology in English and German is explained throughout. Examples are in the main drawn from the selection of texts (Chapter 5). In the case of lyric verse, the general account in this chapter is supplemented by metrical analyses of each song included in the selection.
作诗
这一章描述了中古高地日耳曼古典时期(c.1170-c.1230)和中古高地日耳曼剩余时期诗歌的主要特点。这一章的四个部分讨论了韵律(韵律、线条内部、节奏)、押韵(押韵类型、押韵方案)、上下文中的诗行(诗行之间的节奏连续性或不连续性、格律和句法结构、押韵的对句和句法结构)和诗形式(非对偶诗、英雄诗和抒情诗中的对偶诗、“斯托伦斯特洛夫”)。包括诗文韵律的技巧。用英语和德语解释技术术语。例子主要来自文本选集(第5章)。在抒情诗的情况下,本章的总体叙述由选集中包括的每首歌的格律分析补充。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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