“What Are You Gonna Tell Her?”: The Power of Black Women’s Narratives

K. Mack
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Abstract

This article focuses on the power of narrative, specifically Black women’s stories, to shift ideas that circulate in American culture about popular music and the artists who create these works. Black women in country and Americana music, such as Mickey Guyton and Rhiannon Giddens, are using their voices to reclaim their rightful places in these predominantly white music scenes. There has also been an impressive stretch of recent popular music scholarship by Black women. Narratives shape musical genres, music scenes, artists’ music and personal histories, and music journalism and criticism itself. How, why, and who tells these stories makes all the difference. Ultimately, I argue that these new stories are essential, as narrative has the power to correct historically inaccurate or incomplete records about musical artists and their works, music writers and their contributions, and the construction of the genres in which musicians and music writers navigate.
“你要怎么跟她说?”:黑人女性叙事的力量
本文关注的是叙事的力量,尤其是黑人女性的故事,它改变了在美国文化中流传的关于流行音乐和创作这些作品的艺术家的观念。乡村音乐和美国音乐中的黑人女性,如米基·盖顿和里安农·吉登斯,正在用她们的声音在这些以白人为主的音乐场景中夺回她们应有的地位。近年来,黑人女性在流行音乐方面也取得了令人印象深刻的成绩。叙事塑造了音乐类型、音乐场景、艺术家的音乐和个人历史,以及音乐新闻和音乐批评本身。如何,为什么,以及谁来讲述这些故事会产生很大的影响。最后,我认为这些新故事是必不可少的,因为叙事有能力纠正历史上不准确或不完整的关于音乐艺术家和他们的作品,音乐作家和他们的贡献,以及音乐家和音乐作家所处的流派的构建。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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