Costanza Miliani, F. Rosi, I. Borgia, Antonio Sgamellotti, Laura Cartechini, G. Poli, B. G. Brunetti, D. Perugini
{"title":"Studio della tecnica pittorica dei dipinti murali arcaici dell'area dell'ipogeo di C. Genucius Clepsina","authors":"Costanza Miliani, F. Rosi, I. Borgia, Antonio Sgamellotti, Laura Cartechini, G. Poli, B. G. Brunetti, D. Perugini","doi":"10.1400/19130","DOIUrl":null,"url":null,"abstract":"Reports on the scientific study of an Etruscan mural painting, dating back to the orientalizing period. Micro-destructive spectroscopic analysis of pigmented fragments has provided some novel information about the Etruscan painting technique. The painting substrate consists of a mixture of finely ground volcanic stone and sedimentary calcareous stone. The substrate is made up of two distinct layers: an outermost layer enriched in calcareous component is superimposed on a lower containing volcanic stone. The orange pigment is hematite (alpha-Fe2O3) while the dark red pigment is a mixture of hematite, maghemite (gamma-Fe2O3) and pyrolusite (beta-MnO2). The white pigment is calcite (CaCO3). Notably, from the painting layer morphology it appears that the pigments were applied in a mixture of lime water. By infrared spectroscopic technique, no trace of organic binder was found.","PeriodicalId":179084,"journal":{"name":"Science, Technology and Cultural Heritage","volume":"2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Science, Technology and Cultural Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1400/19130","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
Reports on the scientific study of an Etruscan mural painting, dating back to the orientalizing period. Micro-destructive spectroscopic analysis of pigmented fragments has provided some novel information about the Etruscan painting technique. The painting substrate consists of a mixture of finely ground volcanic stone and sedimentary calcareous stone. The substrate is made up of two distinct layers: an outermost layer enriched in calcareous component is superimposed on a lower containing volcanic stone. The orange pigment is hematite (alpha-Fe2O3) while the dark red pigment is a mixture of hematite, maghemite (gamma-Fe2O3) and pyrolusite (beta-MnO2). The white pigment is calcite (CaCO3). Notably, from the painting layer morphology it appears that the pigments were applied in a mixture of lime water. By infrared spectroscopic technique, no trace of organic binder was found.