Picturing the West – A Slideshow of a Private Production in Communist Romania

A. Irian, V. Maier
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Abstract

The purpose of this paper is to present and analyse the biography of a passionate 20th century Romanian tourist who lived in Bucharest and travelled across Europe, bringing his (subjective) travel experiences of Western countries to private and public audiences curious about the unknown “abroad” during the 1980s. This case study is about the life and travel experiences of Vasile A. Marinescu, and deals with their visibility and interpretation during the communist era. The research is based on unpublished sources – visual and audio sources, as well as manuscripts (between 1970 and 1980), interviews – and other already published archive materials. The research describes, in particular, how the West was perceived and presented in those semi-private shows, and how (and which of) those unofficial sources influenced the imagination of Romanians, aside the official propaganda.
描绘西方——共产主义罗马尼亚私人生产的幻灯片
本文的目的是呈现和分析一个充满激情的20世纪罗马尼亚游客的传记,他住在布加勒斯特,周游欧洲,把他的(主观)西方国家的旅行经历带给私人和公共观众,他们对20世纪80年代未知的“国外”感到好奇。本案例研究是关于瓦西里·a·马里内斯库的生活和旅行经历,并讨论他们在共产主义时代的可见性和解释。这项研究基于未发表的资料——视听资料、手稿(1970年至1980年之间)、采访——以及其他已发表的档案材料。该研究特别描述了西方是如何在这些半私人的展览中被感知和呈现的,以及除了官方宣传之外,这些非官方来源如何(以及哪些)影响了罗马尼亚人的想象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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