„Biorę życie i zamieniam w idealny kamień” — rzecz o warszawskim Bazyliszku

Marta Niewieczerzał
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Abstract

The paper aims to examine images of the Basilisk in Polish children’s and young adult literature. It also compares the monster’s image known from traditional urban legends with its depictions in their postmodern versions. In the original variants of the legends, this creature takes various forms — supposed to be a monster that hatches from the egg laid by a rooster, it is often described as an animal the size of a hen, with a turkey neck and head and a frog’s eyes; partially a cock, partially a reptile, etc. The hybrid image of the Basilisk allows the elements of its characteristics to be used in later versions of the story and its re-workings. The analysis herein focuses on Legendy Warszawskie. Antologia [Warsaw Legends: An Anthology] (2016) which presents six versions of the Basilisk’s legend. These texts are juxtaposed with the project “Legends of Poland” by Allegro (e-book and a short movie Operacja Bazyliszek [Operation Basilisk]), as well as with the novel Felix, Net i Nika oraz Pułapka Nieśmiertelności [Felix, Net and Nika and the Trap of Immortality] (2007) by Rafał Kosik, and Księga Potworów [The  Book of Monsters] (2016) by Michał Rusinek. The author concludes that the Basilisk may be seen as a transfictional figure that transcends the boundaries of the original storyworld, which shows that — as many other legendary monsters — it should be seen not as a past phenomenon, but rather as something that still “lives” in culture and constantly evolves.
本文旨在研究波兰儿童和青少年文学中蛇怪的形象。它还比较了传统都市传说中怪物的形象与后现代版本的描述。在传说的原始版本中,这种生物有各种各样的形态——据说是一只从公鸡下的蛋中孵出来的怪物,它通常被描述为一种母鸡大小的动物,有着火鸡的脖子和头,青蛙的眼睛;部分是公鸡,部分是爬行动物等。蛇怪的混合形象允许它的特征元素被用于后来的故事版本和它的重新工作。本文的分析重点是传奇的华兹华斯基。《华沙传说选集》(Antologia [Warsaw Legends: An Anthology])(2016)呈现了蛇怪传说的六个版本。这些文本与Allegro的“波兰传奇”项目(电子书和短片Operacja Bazyliszek [Basilisk行动]),以及rafazov Kosik的小说Felix, Net i Nika oraz Pułapka Nieśmiertelności [Felix, Net和Nika以及不朽的陷阱](2007)和Księga Potworów[怪物之书](2016)并列。作者的结论是,蛇怪可以被看作是一个超越原始故事世界边界的跨虚构人物,这表明——正如许多其他传说中的怪物一样——它不应该被视为过去的现象,而应该被视为仍然“生活”在文化中并不断进化的东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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