Bridging the Gap between Modern and Contemporary Arab Art and Arab People

D. Lutfi
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Abstract

The purpose of this paper is to emphasize the lack of exposure Arabs have to modern and contemporary art that is being created in their region specifically, and to underline the factors that contribute to Arab people’s disjuncture from artistic production in their respective countries. Additionally, the paper will also highlight the ways in which Arabs may begin to gain awareness and knowledge about the artistic production that is taking place within their own societies, especially modern and contemporary art, which also needs support within K-12 and university educational institutions, and in the public sphere. It is imperative that art criticism, art history, and art education are reinforced and incorporated as a way of closely looking at Arab art critically, and understanding the dynamics of Arab societies and cultures through visual, written, and verbal communication. I recommend that change could take place gradually by familiarizing societies with Arab art through education, scholarship on modern and contemporary Arab art, and establishing art-viewing spaces that serve as platforms for dialogues and discourses on Arab art.
弥合现当代阿拉伯艺术与阿拉伯人之间的鸿沟
本文的目的是强调阿拉伯人缺乏接触现当代艺术的机会,特别是在他们的地区,并强调导致阿拉伯人与各自国家的艺术生产脱节的因素。此外,本文还将强调阿拉伯人可能开始获得对自己社会中正在发生的艺术生产的认识和知识的方式,特别是现代和当代艺术,这也需要K-12和大学教育机构以及公共领域的支持。艺术批评、艺术史和艺术教育必须得到加强,并作为一种密切关注阿拉伯艺术的批判性方式,并通过视觉、书面和口头交流来理解阿拉伯社会和文化的动态。我建议通过教育、现当代阿拉伯艺术的学术研究,以及建立艺术观看空间,作为阿拉伯艺术对话和话语的平台,让社会熟悉阿拉伯艺术,这样的改变可以逐渐发生。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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