{"title":"Third World On the Move: Cinematic Destination Belgrade/Serbia","authors":"Nevena Daković","doi":"10.5117/9789463724166_ch10","DOIUrl":null,"url":null,"abstract":"The aim of this paper is to map manifold notions of migrant cinema and\n its history, in other words, film narratives about migrations from, across,\n and to the Balkans. The analysis looks at broader Balkan cinema that\n features as the context for focusing the changes of the migration pattern\n from and to Belgrade. The paper takes Practical Guide to Belgrade with\n Singing and Crying (Praktičan vodič kroz Beograd sa pevanjem i plakanjem,\n Bojan Vuletić, 2011) as its case study to show the recent reversal of migrant\n narratives in which the Balkans are the desired destination, in itself\n an exception to the rule. The analyses are based on the appropriated\n definition of migrant cinema and complemented with notions of inner\n exile and accented cinema.","PeriodicalId":446435,"journal":{"name":"Refugees and Migrants in Contemporary Film, Art and Media","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Refugees and Migrants in Contemporary Film, Art and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463724166_ch10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The aim of this paper is to map manifold notions of migrant cinema and
its history, in other words, film narratives about migrations from, across,
and to the Balkans. The analysis looks at broader Balkan cinema that
features as the context for focusing the changes of the migration pattern
from and to Belgrade. The paper takes Practical Guide to Belgrade with
Singing and Crying (Praktičan vodič kroz Beograd sa pevanjem i plakanjem,
Bojan Vuletić, 2011) as its case study to show the recent reversal of migrant
narratives in which the Balkans are the desired destination, in itself
an exception to the rule. The analyses are based on the appropriated
definition of migrant cinema and complemented with notions of inner
exile and accented cinema.
本文的目的是绘制移民电影及其历史的多种概念,换句话说,关于移民的电影叙事来自巴尔干半岛,跨越巴尔干半岛,并前往巴尔干半岛。该分析着眼于更广泛的巴尔干电影,作为关注贝尔格莱德移民模式变化的背景。本文以《贝尔格莱德歌唱与哭泣实用指南》(prakti an vodiekkroz Beograd sa pevanjem i plakanjem, Bojan vuletiki, 2011)为案例研究,展示了最近移民叙事的逆转,其中巴尔干半岛是理想的目的地,本身就是规则的例外。本文的分析基于对移民电影的恰当定义,并辅以内心流亡和口音电影的概念。