Swing into another dimension: the making of "Spider-Man: Into the Spider-Verse"

Danny Dimian, Joshua Beveridge, B. Clair, Geeta Basantani
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引用次数: 1

Abstract

This production session will explore the art and innovation behind the creation of the Academy Award®-winning "Spider-Man: Into the Spider-Verse." The filmmaking team behind the first-ever animated Spider-Man feature film took significant risks to develop an all-new visual style inspired by the graphic look of comic books. The hand of the artist is visible in every frame, including misalignments and bleeding colors, imperfections rarely seen in CG animation. The entire look of the film was driven by artists' intentions, in which design and style was more important than accuracy or realism. The presentation will delve into the new technology developed and the changes to both the pipeline and workflow required to accommodate working in this new visual style. Every department at Sony Pictures Imageworks was asked to reconsider what it means to make an animated feature in the spirit of this revolutionary comic book style and to bring something new to the look of the film. Various new techniques were developed including the rigging and animating of facial line work, 2D hand-drawn effects and stylized rendering.
进入另一个维度:《蜘蛛侠:平行宇宙》的制作
本次制作环节将探讨奥斯卡获奖影片《蜘蛛侠:平行宇宙》背后的艺术与创新。有史以来第一部蜘蛛侠动画电影背后的电影制作团队冒着巨大的风险,开发了一种全新的视觉风格,灵感来自漫画书的图形外观。艺术家的手在每一帧中都是可见的,包括不对齐和流血的颜色,在CG动画中很少见到的缺陷。整个电影的外观都是由艺术家的意图驱动的,其中设计和风格比准确性或真实感更重要。该演讲将深入研究开发的新技术,以及适应这种新视觉风格所需的管道和工作流的变化。索尼电影影像工作室的每个部门都被要求重新考虑以这种革命性漫画风格的精神制作动画长片的意义,并为电影的外观带来一些新的东西。各种新技术被开发,包括面部线条工作的索具和动画,2D手绘效果和风格化渲染。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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