Innovation in the Arts

S. Kerrigan
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Abstract

The filmmaking creative process is staged and task specific, and the success of a film is dependent on filmmaker’s working collaboratively and creatively, in small and large teams, to complete discrete tasks that are frequently iterative and recursive. These tasks are enabled and constrained by situational variables including financial, logistical, technological, aesthetic, and editorial, and the successful completion of the filmmaking tasks is dependent on a filmmaker’s creativity. This practice-led research presents an innovative methodological case study that captures the creative and collaborative activities of a documentary filmmaker and illustrates how filmmakers collaborate with other filmmakers and the community to create a film. Four collaborative principles are identified that describe how filmmakers achieve their goals; the principles reflect group approaches to creative filmmaking practices and, more broadly, the collective nature of arts practice.
艺术创新
电影制作的创作过程是阶段性的,任务是特定的,电影的成功取决于电影制作人在小型和大型团队中的协作和创造性工作,以完成经常迭代和递归的离散任务。这些任务受到包括财政、后勤、技术、美学和编辑在内的情境变量的支持和限制,电影制作任务的成功完成取决于电影制作人的创造力。这个以实践为主导的研究提出了一个创新的方法论案例研究,它捕捉了纪录片制片人的创造性和合作活动,并说明了电影制片人如何与其他电影制片人和社区合作创作一部电影。本文确定了四个协作原则,描述了电影制作人如何实现他们的目标;这些原则反映了创造性电影制作实践的群体方法,更广泛地说,反映了艺术实践的集体性质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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