The Unaccounted Voice of Women in Chimamanda Ngozi Adichie's Purple Hibiscus

M. Malini, Dr. S. Anitha
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Abstract

In our society, values of life is neither constant nor equal to all. Apart from economic conditions, the importance of women in under developing countries still suffers from blind gender disparity. Their voices are always suppressed in family as well as in society. The only solution to raise their importance is at the hand of law. The liberation of women in under developing countries is moving slow like a snail’s journey. Chimamanda Ngozi Adichie's Purple Hibiscus realistically portrays the suppressed voices of African women through the characters Beatrice Achike-the Mama, Aunty Ifeoma, and Kambili Achike. Dissent is never entertained and taken on the right spirit by any government in the world. And therefore, the emotions and the desires of African women are taken unaccounted. This perhaps is the effect of poor literacy, lack of awareness found in under developing territories of Africa. This theme of the unaccounted voice of women is to be discussed in this research paper.
amanda Ngozi Adichie的《紫色木槿》中不为人知的女性声音
在我们的社会中,人生的价值既不是一成不变的,也不是人人平等的。除了经济条件,发展中国家妇女的重要性仍然存在盲目性的性别差异。她们的声音在家庭和社会中总是被压制。提高其重要性的唯一解决办法是诉诸法律。在发展中国家,妇女解放的进程就像蜗牛爬行一样缓慢。Chimamanda Ngozi Adichie的《紫色木槿》通过Beatrice Achike——妈妈、阿姨Ifeoma和Kambili Achike三个角色真实地描绘了非洲女性被压抑的声音。世界上任何一个政府都不会以正确的态度对待异议。因此,非洲女性的情感和欲望被忽视了。这可能是由于非洲欠发展中国家的识字率低、缺乏意识造成的。这一主题的未知的声音的妇女是讨论在这一研究论文。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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