Journalism, Caricature and Satirical Drawings in Early Picasso (1891–1895): The Awakening of Pablo Ruiz’s Critical Consciousness

X. Ant, Castro Fern, ndez
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Abstract

In Pablo Picasso’s formative period in A Coruna (1891–1895), where he was born as an artist, the child and pre-adolescent who at that time signed himself as Pablo Ruiz, already knowing he was a genius, pursued an intense programme of creative activity while devoting himself to drawing and painting. Making use of his facility for reproducing the world around him in images, he also proved to be an incipient devotee of journalism as an instrument of communication and social awareness, a satirical draughtsman and caricaturist, seeking to give his version of events, in line with the magazines and newspapers of the period, and displaying a critical ability unusual in a child, a committed gaze, not devoid of humour and sarcasm, which prefigures the later Picasso with his progressive views, acute intelligence, meta-ironic approach and support for great causes.
早期毕加索(1891-1895)的新闻、漫画和讽刺绘画:巴勃罗·鲁伊斯批判意识的觉醒
在巴勃罗·毕加索的形成期在科鲁尼亚(1891-1895),在那里他出生作为一个艺术家,儿童和青春期前,当时签署了自己作为巴勃罗·鲁伊斯,已经知道他是一个天才,追求一个紧张的创造性活动计划,同时致力于自己的绘画和绘画。利用他的能力在图像中再现他周围的世界,他也被证明是一个早期的新闻爱好者,作为一种沟通和社会意识的工具,一个讽刺的绘图员和漫画家,试图给他的事件版本,与当时的杂志和报纸一致,并显示出一个孩子不寻常的批判能力,坚定的凝视,不缺乏幽默和讽刺,这预示了后来的毕加索与他的进步观点。敏锐的智慧,超讽刺的方法和对伟大事业的支持。
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