Beyond the Infinite Interpretations: The Reception of 2001: A Space Odyssey and the Reframing of Stanley Kubrick's Authorial Reputation

Friedman
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Abstract

ABSTRACT:2001: A Space Odyssey (1968) cemented Stanley Kubrick's reputation as Hollywood's most visionary director. Many accounts attribute its success to Kubrick's calculated artistic decisions and the film's countercultural appeal; however, 2001's production and reception histories as well as archival evidence reveal that collaborators intervened to bolster its performance after shaky theatrical premieres. This essay charts how MGM and other partners employed strategies to mitigate initial frustrations with 2001's unconventional properties. These improvised efforts gradually helped audiences contend with the film's ambiguities. This ultimately fostered Kubrick's enduring brand and aligned him with European art-cinema auteurs and proto-transmedia storytelling.
超越无限诠释:《2001太空漫游》的接受与斯坦利·库布里克作家声誉的重塑
摘要:《2001太空漫游》(1968)巩固了斯坦利·库布里克作为好莱坞最具远见的导演的声誉。许多人把它的成功归功于库布里克精心策划的艺术决策和电影的反主流文化吸引力;然而,《2001》的制作和接受历史以及档案证据显示,在影院首映式不稳定后,合作者进行了干预,以提振其表现。这篇文章描绘了米高梅和其他合作伙伴是如何采取策略来减轻2001年的非传统属性带来的最初挫折的。这些即兴创作逐渐帮助观众克服了影片的模糊性。这最终造就了库布里克经久不衰的品牌,并使他与欧洲艺术电影导演和原始跨媒体叙事方式结盟。
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