Petrarch’s Poetic Style from a Computational Perspective: A Digital Quantitative Approach to Italian Petrarchism

Jan Rohden
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引用次数: 1

Abstract

Few authors have shaped the history of European poetry as much as Petrarch (1304–1374). Based on its remarkable poetic style, Petrarch’s most important Italian text, a collection of love poems called Canzoniere not only had an enormous impact on the poetry of his time but also became a model for centuries to come. Scholars usually use the term “Petrarchism” to refer to Petrarch’s influence on the literary landscape. Yet despite this common notion, there are still many competing approaches to defining Petrarchism. One reason for this may be the reliance of most studies of Petrarchism on a fairly small corpus of texts. While many scholars give a detailed account of Petrarch’s influence on a single work or poet, only a few analyses of Petrarchism are based on a larger corpus. This may also help explain why there is still no comprehensive inventory of the stylistic or semantic elements that distinguish Petrarchism. The goal of this essay is to take a first step towards creating such an inventory. To this end, digital methods, in particular stylometric and co-occurrence analyses, are applied to a corpus of 55 Italian poetry collections in order to determine the characteristic features of Italian Petrarchism.
计算视角下的彼特拉克诗歌风格:意大利彼特拉克主义的数字定量研究
很少有作家像彼特拉克(1304-1374)那样塑造了欧洲诗歌的历史。作为彼特拉克最重要的意大利文本,一本名为《Canzoniere》的爱情诗集以其非凡的诗歌风格为基础,不仅对他那个时代的诗歌产生了巨大的影响,而且成为了未来几个世纪的典范。学者们通常用“彼特拉克主义”一词来指代彼特拉克对文坛的影响。然而,尽管有这种共同的概念,仍然有许多相互竞争的方法来定义彼特拉克主义。造成这种情况的一个原因可能是大多数关于彼特拉克主义的研究依赖于相当小的文本语料库。虽然许多学者详细描述了彼得拉克对单个作品或诗人的影响,但只有少数对彼得拉克主义的分析是基于更大的语料库。这也可能有助于解释为什么仍然没有区分彼得拉克主义的风格或语义元素的全面清单。这篇文章的目标是迈出创建这样一个清单的第一步。为此,数字方法,特别是体裁学和共现分析,应用于55个意大利诗集的语料库,以确定意大利彼特拉克主义的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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